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Part 1

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Talking to Charles

Chapter 1

I'd been desperate for a good story for weeks—one with the potential to pay well, ideally enough to keep me above water for another year. Going freelance five years ago had seemed like a step up—right up until the newspapers began haemorrhaging money as their circulations nosedived. Suddenly, the staff writers saw freelancers like me as pariahs, stealing precious column inches and wages. The bosses still loved us, though. We were expendable, easily replaceable, and downright cheap, especially when pitted against one another. The lowest bidder always won.

I'd learned the hard way to keep my best pitches to myself. If I gave the editors a real gem, they'd share it with other freelancers to drive my fee down. So, I waited while the novices bashed their heads against the wall, letting them feed the editors half-baked ideas until something decent came my way. It wasn't much of a plan, but it was the only way I'd occasionally see my byline in print. My photo, of course, hadn't been updated in nearly a decade, back when I was a little lighter and a lot more optimistic.

To land the kind of paycheque that justified all this hassle, a freelancer needed a truly unique scoop—something nobody else could sniff out or replicate. You had to have a private source, solid verification, and an airtight timeframe to lock down the sale. If you were lucky, more than one paper might fight over it, driving up the price. On the best days, that price could stretch your survival for an extra year or two, especially if it made headlines. But lately, chasing stories had felt like panning for gold in a creek that had dried-up long ago.

Then my old friend Charles Kent got in touch. Charles: once with the Observer, once a resident of Notting Hill, and once married to the lovely Lucinda with three privately educated children. Now, he was divorced, disgraced, and living on the fringes of London as an alcoholic paparazzo. In three short years, he'd lost his marriage, his career, and his respectability. But in a way, that made him more honest than most people I knew. Maybe we were all destined to wind up where he was; Charles just arrived first.

He'd found a lead he claimed was huge—something he couldn't handle alone. When I asked him why he needed my help, he admitted he'd destroyed his relationships with a few editors after a story about a young up-and-coming singer had collapsed spectacularly. I remembered it vaguely: it involved drugs, an arrest, an exclusive, then hasty retractions when it turned out the singer was set up. The case was dropped, and so was Charles. I hadn't known he was the one who sold that piece; freelancers often took risks by over pitching their wares. Sure, you could get paid more, but you'd never get the byline or the loyalty of a newspaper that way. Charles had gambled and lost big. Now, nobody trusted him, so he needed a proxy—someone naive or desperate enough to give him a hearing. Apparently, this time at least, that was me.

I hadn't always been so desperate. I'd graduated from Durham back in 2003. After two years studying Politics, I'd switched to a joint degree in Politics and Journalism. It was rough cramming everything into that final year, but I fell for journalism in a way that I'd never fallen for anything or anyone else. Joining the student paper as a volunteer sealed my fate.

I learned I had a knack for interviews; I'd always been fascinated by psychology, by the little tells and gestures people offered unconsciously. I could coax out more than they intended to share. Maybe it was the thrill of the chase—digging for truth and telling it with clarity.

Just before I finished at Durham, I landed a tip: a local independent college was selling student visas abroad, facilitating illegal immigration. Immigration had always been a hot topic in the UK, so I went undercover with a hidden camera. One day, I was drowning in rejection letters for unpaid internships; the next, I was on BBC Breakfast discussing how I'd exposed a bunch of ruthless villains threatening our precious British borders. By the evening of that broadcast, every national paper had picked up my story. My student paper, Palatinate, earned decent syndication money, and I got a summer slot at The Times. The principal-turned-visa-salesman got six years at the Crowns pleasure, and the rest of his gang got a one-way trip out of the country. I'd say I got the better end of the deal.

Whilst at The Times, I scored another major scoop: a seedy Swindon church group was coercing children into sex acts. Horrible stuff, but it dominated the national news for a full week. I was back on the BBC Breakfast sofa, and the producers, remembering the visa story, tagged me as some kind of bright-eyed newshound who kept turning up with bombshell investigations. I got an award, a full-time job, an instant raise, a quick promotion and then another, along with a new title: Senior Reporter. Three years of progress beyond the imagination of mere mortals. Best of all, I was free to pursue my own leads. I felt untouchable—epic, even. And the paper's success from my stories inflated my ego. Earning £105k a year was good, but I naturally started to think I deserved more. After all, I was the saviour of investigative journalism, right?

I asked for a bigger slice. They caved. I bought a flat in Chelsea. A good one. Then, obviously, I needed more money for those intimidating mortgage payments. The Times gave it to me. I redecorated—top interior designer, no expense spared. But it wasn't enough. Not for the famous newshound who brought the worst offenders to the bright lights of British justice. I wanted more. No, with the mortgage, the car, the constant chasing of leads over expensive meals and lengthy drinking sessions to loosen tongues, I realised I actually needed more. And that was where my luck ran out. Suddenly, "fuck off" was their final offer.

I sniffed around. Everyone knew that the real money came from owning your stories outright. If you did, you could sell to any publication, naming your price. So, I made the leap to freelance. Initially, it was great. A couple of big exclusives kept my balance healthy and the bank off my back. But leads became more costly, as the trust in my motives declined. People started viewing freelancers as unscrupulous operators out to sensationalize anything for a fat paycheque. That made me angry. However, my mortgage needed paying too. If the stories weren't good enough, sometimes you had to pump them up a little. It's marketing, not clickbait. But word spread quickly: "Don't talk to freelancers." After three years on the outside, I was far enough on the fringe that I'd listen to anything—and I mean anything—Charles Kent might offer. I knew it only took one game-changing story to get me back in the spotlight, to resurrect my name, to maybe get me back on that fucking BBC Breakfast sofa again.

Charles whispered the name, "Michael". Even as he said it, his eyes darted to every corner of the room, his bottom lip quivered, and his hand shook so hard the tea he was holding splashed out onto the table. If Charles was to be believed, Michael was dangerous but reliable. Interesting mix, I thought. He was also practically invisible to anyone who might want to track him down. For a freelancer, that last quality was gold: no other reporters could swoop in at the last minute with a better offer.

Charles said he'd found Michael through some news about an Asian gang that wanted him and his associates "destroyed". It was an interesting turn of phrase that gave me pause. I was already weighing "Asian gang" and "destroyed" against the permanent ringing in my ears, which was the end date of my mortgage forbearance. I perhaps deliberately overlooked the question of exactly how Charles found Michael, if the Asian gang had failed.

He wove a story of how a meeting in the back of a London pub coaxed Michael into sharing the beginnings of his story. The story was apparently so outrageous that Charles thought it was bullshit—until he dug into a few details and discovered they were actually true. Big true, from the sound of it. Michael wasn't even after money. He wanted to blow the lid off something, and his only stipulation was that certain names must appear in print. He refused to budge on that point. That sounded suspicious to my ears. Who was Michael? Who did he want to reveal? Was he afraid?

Klaxons should have been sounding. Flashing lights. "Alert, Alert." Find your nearest exit—you get the idea. But there I was, letting Charles play matchmaker, reaching out to Michael to let him know I had an impeccable reputation—well, at least one that wasn't as tattered as Charles'. Too desperate to let a good lead pass me by, I let him set up the meet. There were rules. No phone, laptop, or anything with wi-fi. The meeting would be out of the country, overnight. I agreed too quickly. I hoped I wouldn't repent at my leisure.

And so, I flew out on a scheduled flight, instructions waiting for me the moment I stepped out of arrivals: a slip of paper in a plain brown envelope, thrust into my hand. Directions for me to walk to a particular chain hotel that anyone would recognise. The note spoke of being careful. No taxis, no buses, no conversations with anyone. It was a little on the warm side for a stroll, but I got moving.

The hotel was big and bland. The reception team had accents that made you think they were from both everywhere and nowhere. The room was under a false name, pre-paid, the key slid across the desk, and I was directed to the elevator. I noted that I wasn't asked for ID. Interesting. Efficient. Within a couple of minutes, I was sitting on a king-sized bed, staring at the armchair that seemed standard in these corporate rooms. It was always too small to get comfortable in for anything other than working at a laptop for a couple of hours.

I started fingering the envelope that had been left for me. It had my name printed on the front in a sans serif font. The note inside was printed too. No handwriting, and no signature. Nothing for me to guess at—nothing that would give me an idea about the intriguing Michael.

My message was simple: "Stay in the room. Relax. Refreshments are on their way. Your evening meal and breakfast have been arranged and will also be delivered to the room." Fortunately, I had a book with me.

I'd had a restless night, finally falling asleep in the early hours. The mini-bar was empty, and I didn't want to risk blowing the meet by heading down to the hotel bar or ordering drinks on room service. It was after 8 a.m. when the sun pried my eyes open.

Michael was sitting in the armchair, which he'd moved to the corner of the room. He smiled and held out a glass of water as I jolted upright in shock. My heart hammered in my chest.

"You're fine," he said, calmly. He stood and looked out the window, down to the street below.

He was tall, perhaps mid-thirties. A couple of inches over six feet, with short dark hair and striking features. He was wearing black trousers, with a dark coloured t-shirt under dark blue Oxford shirt. Hard wearing, but polished black shoes, made him look like any average office worker. If I had to pick one word to describe him, it would be strong. He wasn't bulked up like a bodybuilder—more like a professional tennis player in his off-season, completely at ease in his own body.

I took my clothes to the bathroom and quickly dressed. When I returned, Michael gave me a firm handshake and a reserved smile. He had made the bed. It was as good a job as any maid I'd seen. He then gestured for me to take a seat while he settled back into the chair. He'd made us both a cup of coffee—milk, no sugar. It was as if he already knew how I took it.

I held up my voice recorder, and he nodded. I opened my notebook, clicked my pen, and got ready to write.

What follows is an edited transcript of our conversation—tidied up only for clarity. My original recordings and notes are locked away, safe and sound. But these words you're about to read are Michael's own, from his unique perspective.

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